* ci: run the desktop printing check through the shared gate
print.yml ran its own Windows job, which the CI workflow rules phase out, and each PR saved its
own ~1.3 GB cache. The same commands now run through craft-common-actions' gate.yml on
windows-2022, without craft-fonts, nextest or the wasm target as before. The gate never saves
from a pull request; a manual run on main seeds the cache. storytold/craft-common-actions#118.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* ci: call the shared gate at main
storytold/craft-common-actions#119 is merged, so main's gate takes an empty packages list.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: FredApps <FredApps@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Object > Plug-ins > Color Effects > Find Nearest Swatch... picks a
library (the document's swatches, a built-in library, or a library or
colour book the user saved or loaded) and Fill and Stroke, and lists
each colour of the selection with its three closest swatches and their
CIEDE2000 difference. Apply gives each colour its nearest swatch as one
undo step.
- addon.color.nearestSwatch (a query): the closest swatches of a
library to each colour of the selection's fills and strokes (solid
colours and gradient stops, inside groups and type), or to a colour
given, with deltaE; count 1..50.
- addon.color.applyNearestSwatch: recolours those paints (and gradient
meshes) to their nearest swatch; global and spot swatches link, and a
library's swatches the colours take are added to the document first
(as swatch.library.add adds them), so a spot colour stays spot.
- The library picker Image Trace's Document Library uses moves to the
Swatches panel module and is shared.
- No colour book data ships: only libraries VectorCraft computes or the
user loads are searched.
Each format's copy options are given in full, so no remembered option
applies: PDF and .ai copies write every page (range all), SVG copies
the art of every artboard in one file (useArtboards false), native,
.ai and EPS copies include linked files' data.
Each copy is saved with images embedded and artboards together, so a
document last saved with linked SVG images writes no image files beside
its copy; any other file a save reports is reserved for the copies still
to come.
A Perceptual linear or radial gradient that mixes spot colors with each
other or with CMYK or gray stops was written as an image in process
colors. It is now written as a DeviceN shading of its inks, with the
stops on its Perceptual curve: at each one, the inks of the two stops on
either side are mixed at the weight where the two colors mixed in
display RGB have the OKLab lightness of the color on the curve.
- Gradient::ink_mixes gives the curve's stops as weights between stops,
under the same 4,096-stop limit as ink_tints.
- Perceptual gradients that mix a spot color with RGB or Lab stops,
dithered fills and freeform gradients stay images, and the warning
now names those cases.
Baseline shift now moves a character in the line's frame, outside
Character Rotation, so a positive shift moves a character up from its
line at any rotation, and the character turns about its shifted pen
position. The Touch Type tool splits a drag into its part along the line
(kerning) and its part up from the line (baseline shift) at every
rotation; before, within about 6 degrees of a quarter turn it dropped
the cross-line part.
Characters that already combine a rotation with a baseline shift are
drawn in a new position. Their stored values do not change.
- text: glyph transform order, PositionedGlyph::pivot (the turning
point), tab leaders in the same order
- tools: Touch Type splits drags against the line's up axis and measures
rotate-handle turns about the shifted pen position
- engine: text.touchType description; dy is up from the line
- docs: mcp.md Touch Type paragraph, target-app-parity.md progress line
The Character panel's All Caps, Underline and Strikethrough buttons, and
its menu's All Caps, Underline, Strikethrough, Proportional Metrics,
Tate-chu-yoko and No Break, read the first selected character's style.
With only some characters marked they could show on, and choosing one
turned the attribute off for every character. They now show on only
when every selected character has the attribute, and a click on a mixed
selection turns it on for all, as Small Caps and Standard Vertical Roman
Alignment do. type.underline (Cmd+Shift+U) underlines a mixed selection
the same way. The Character Alignment and Digits submenus check no item
while the selected characters differ.
text.setFormat ignored a value that was not true or false for underline,
strikethrough, allCaps, proportionalMetrics, tateChuYoko,
standardVerticalRoman, noBreak, hyphenate, hyphenateCapitalized and
romanHangingPunctuation. It now refuses it with "`<key>` must be true or
false" and changes nothing, as text.setRangeStyle does.
An envelope in a .ai's editing data opened as its distorted art, with
its mesh and contents dropped. It now opens as a live envelope of its
contents: a warp with its style, bend, distortions and orientation, a
mesh with its points and handles, or a top object with its outline,
with Envelope Options, Fidelity and Edit Contents.
The envelope replaces its drawn art only when VectorCraft draws it like
that art, with a budget so that live envelopes don't make the file open
from its PDF part. When the layers still differ too much from the page,
the drawn art is put back. An envelope that can't be read, or that
draws differently, keeps its drawn art with a note. Envelopes of type
keep their drawn art and hidden type as before.
Brandon ThomasandClaude Opus 5.5
Dylan M. Taylor
BFlat
Don Omondi
dotCooCoo